After a terrorist attack on Earth, the crew of the Enterprise form up and head off to try and catch the culprit – who is harbouring more than one game changing secret - all while dealing with oh so much lens flare.
Witty banter – there was some truly great dialogue in this instalment.
Good use of supporting characters.
Spot the cameos.
Cumberbatch fighting when he was way outnumbered.
Some great wide angled shots.
Hat tips to the original series/film franchises except one (in cons).
One particular scene's dialogue – I won’t give it away – and while there was the odd titter at the exchange, it was totally unnecessary.
The over complexity belying one contact point on of a piece of equipment.
Not enough Cumberbatch.
Too many male tears feeling somewhat disingenuous.
A reverse of a classic scene from the original movie franchise.
They hung so much light on one plot point resolution that I can’t imagine anyone not seeing it coming.
Vulcan hair styles are not designed for running.
Overall, it was a very enjoyable flick. I didn’t realise I was seeing the 3D version (I try and avoid them like the plague), and while there were the usual 3D designed scenes, some went past so fast as to not “get” the 3D experience.
Did anyone else think the StarFleet uniforms looks a bit like the SS just in grey and without skulls and bones on the hats?
PS. There’s nothing at the end of the credits, so if you don’t feel like sitting through them after the 3D candy ends, you won’t miss anything.
Post 9/11 the world changed. We are all now watched by CC TV, and tracked in our day to day lives. What if the patterns of our day to day lives gave away more than just suspected terrorism plots?
Jim Caviezel (though apparently he calls himself James now).
Nice fight scenes.
Love the cutaways - very uncomfortable.
Writing didn’t really build suspense.
Found it hard to get into it till about 20 mins.
Had trouble being empathetic to the characters.
Not sure I like the whole “cop trying to find the truth” arc - been there done that a gazabillion times. Given the premise it could have been a lot more interesting and menacing.
Discussed but didn’t address the loss of human rights to gain “freedom.”
Think it is going to be very formulaic.
No female lead.
For a pilot, it wasn’t bad - but it wasn’t great. It told me what was happening, what to expect from week to in way of episodes. It is enough to have me coming back for a few more weeks to see what happens, but not convinced yet.
It has been a year since Torchwood saved the world’s children and Jack is back. All the good characters are still dead, and since this season takes place a fair bit in America, it is clogged with plastic, unrealistic and unlikable characters. Anyway, a miracle happens and no one can die - except Jack. The Torchwood team must stay alive (Jack anyway) reform and hang out with annoying Americans to save the world from over population and self regulation. Sorry did you fall asleep? Yeah, I know.
Couple of little eggs re past episodes and Doctor Who.
OMG the new characters - horrendous!
Such overblown writing - this 10 episode “arc” would have barely covered three tightly written episodes.
Filled with inconsistencies and major plot contradictions (The Jack effect is the biggest one).
A pedophile to be edgy? Gay sex to be edgy? None of it drove the story or added any weight.
Broke against the whole premise of what Torchwood is about - Queen Victoria would be rolling in her werewolf grave!
Women were not favourably portrayed at all, not even Gwen this time.
Can I say how much more I disliked it?
I stuck with TMD because I had faith that somehow RTD would dig TMD out of its poo filled grave. It didn’t. The final scene was even worse - I was desperately hoping that a character would just sod off and die from week 1, let alone that person being tied to Torchwood now for possible future episodes.
It is two months since the Pandorica opened and The Doctor saved the universe/world from annihilation (again). He has been having some funtastic adventures, some even with River. When mysterious numbered envelops in TARDIS blue are delivered, the team come back together in Utah for a picnic. But this is Doctor Who, nothing is idillic for long.
OMG the baddies are going to give the Weeping Angels a run for their money.
The power of the baddies.
How cool is it that Mark Sheppard is in this!!??
Amy Pond wears long shorts (I am sure millions of boys cried a little when that happened).
Great moment with Rory and River. The great tragedies of their lives - especially River. Rory just needs to get over himself.
Really strong development of the team as a unit.
Lying with Fish Sticks and Custard.
I really don't think it needed to go to the States. Yeah Spacemen are in the States, but given the actors are all Brits, what is the point?
The big emotional scene at the beginning - did anyone really think that was it? Really lacked punch.
This wasn't the episode I was expecting. I don't know what it was that I wanted, but it wasn't this. That being said, I thoroughly enjoyed the subtext within the episode and how it has been set up for next week. As a general rule two parters shit me, I hate waiting, but it usually pays off in the end.
PS. ABC: Why are you showing it a week behind the rest of the world? And people wonder why we rig our computers to be from another country so we can access content internationally.
Walter, Pete and Belly venture into Olivia's subconscious to try and get her back. Broyles expeirences something new, and everyone loses something.
Where to start?
How Olivia's consciousness is manifested was such a surprise I don't want to mention it.
Peter getting it right.
For a moment I thought "Inception" ho hom... thankfully I was very wrong.
This is very brief because I don't want to give anything away. The ending though - that was chilling.
Don't try and be sneaky when friendly will work. Rush gets laid. Eli has to do something difficult. Stuff happened on another planet.
Least we saw a little bit of Gin.
Pleasant change of pace to see some classic McKay, even if he didn't pull the answer out of his pants.
Yet another classic Stargate episode redux - and done not nearly as well.
Totally pointless sub-story on the planet.
Way too much Rush.
Young, worst leader ever or worst leader ever. You would THINK that he would have been more careful about his language.
Telford - yawn.
Again, where did the Lucian Alliance crew members go?
I had heard that this episode was really good and had been set up nicely from last week's dismal attempt at entertainment. I was disappointed. Saw nothing I hadn't seen multiple times before, and this execution wasn't good. The whole planet arc was a complete waste of time, did nothing to drive the story forward. I know some people will vehemently disagree with this review, but that is OK.
The most boring character in the show gets taken over by less boring characters. The geeks get their romance on. We discover what happened to Rush in Two Destinies, and TJ performs major surgery.
We got to see some Gin.
At least Volker got some lines and screen time - pity the arc sucked.
Please state the nature of the medical emergency.
Young, worst leader ever or worst leader ever.
Scott given the worst lines, well below his talent.
Way too much Chloe.
A very poor take on a Stargate classic story.
I just wanted this episode to end. The surgery aspect was just laughable. Yet more evidence why this show was, rightly, cancelled.
During an Egyptian style tomb excavation, Stonehenge is "turned on," and commences a count down to destroy the world as we know it. Only a radical fringe scientist can save the world from the real scientists stuck in their ways before more people, and the world is keeeled.
Seeing Stonehenge move was awesome.
The story was so bad it was hysterical.
Spot the Stargate franchise cast.
Oh it is an angel trying to save the world.
OMG the dialogue.
The lack of background cast. The SWAT assault is exactly what I am talking about here.
The special effects.
The military decision making.
This movie was recommended to me as a bad, oh so bad movie, and didn't disappoint. It was atrocious. Awesomely atrocious.
A world leading meteorologist is working in Hobart (yes HOBART) as a tear in the ozone layer causes icy air from the mesophere to rush down to the Southern Ocean and an Ice Fog (yes an Ice Fog) is heading towards Tasmania. Can our hero scientist save Tasmania, the world, his daughter AND his marriage?
I laughed within 20 seconds.
Nice to see a disaster movie with Australian accents.
Hobart is very pretty.
Michael Shanks is the lead for all the Stargate tragics.
The mix match in deaths - the first few all died one way, then they died a different way from the same event.
Did I mention the acting and dialogue?
After Hobart, every other event happens over the landmark of an international capital city.
The special effects weren't very special.
What Arctic Blast proves is that Australia can't make an Eco-Disaster movie. Let's be honest though, that isn't necessarily a bad thing.
We are back in the Red, and pick up on Fauxlivia's pregnancy. All is not well for Fauxlivia - she thinks she is being followed and her fellow Fringe Division Agents thinks that they don't really know what is going on. Add to this a disease from Over There plus an abduction and the scene is set.
No waiting around for this story arc.
Not your usual case of the week.
Great development and use of Seth Gabel's Lee.
Always nice to see Charlie Francis alive and well.
Hi there Fauxlivia's mum.
Oh Walternate it was obvious but I feel you let me down.
Torv totally got me - and I am admit I cried.
Francis and Lee's final moments.
Henry, our favourite cabbie, is back.
Didn't feel that sense of urgency about Fauxlivia's situations.
The twist was telegraphed a little too strongly.
Since when are the Observers so obvious?
After a very weak episode with Os and then a solid episode last week with Stowaway, we are back in the Fringe heartland of great TV. Oh and the title of the final episode has been released - OMG - but I won't say anything here.